Last Updated on May 21, 2021

With its tall and windowless laterite walls, the Banteay Samre temple looked more like a fortress from outside. An isolated fortress for that matter. Banteay means ‘fortress’ and Samre refers to an ethnic tribe who inhabited the regions at the base of Phnom Kulen mountain.

We were reminded of the huge temple walls in central and northern Kerala, where laterite bricks are more commonly used. The temple looked relatively less crowded; Tes mentioned its isolated location was the reason it received lesser visitors than the other temples.

The high laterite walls that enclose Bantaey Samre
The high laterite walls that enclose Banteay Samre

The legend of the Cucumber King

As we walked along the high walls of Banteay Samre temple, Tes began to tell us a story. There was a local farmer belonging to the Samre tribe who grew cucumbers on his field. After his first harvest, the farmer presented his produce to the King who liked it so much that he wanted all the cucumbers for himself. He also ordered the farmer to kill anyone who tried to enter his field.

Banteay Samre - Outer enclosure and entrance door
Banteay Samre – Outer enclosure and entrance door

One day, the King had an urge to eat cucumbers, so he went to the farmer’s field to get some for himself. It was after dusk and the farmer did not see who the intruder was and speared the King to death.

The King did not have an heir, and so it was decided that the royal elephant would choose the next King. Whoever it would kneel before would be chosen as the next King. The elephant walked towards the farmer’s field and kneeled before him.  However, the royal servants disapproved of this decision and were often disrespectful towards him. The Cucumber King then moved out of the royal palace to his farm and built the Banteay Samre temple.

Banteay Samre - Second enclosure and entrance doors
Banteay Samre – Second enclosure and entrance doors

The enclosures

The outer laterite wall was about 6 m tall. For an outer wall this huge, the entrance door looked small.

Galleries with windows and platforms with pillars
Galleries with windows and platforms with pillars

There were two concentric gallery enclosures surrounding the main complex. The galleries had windows and at the end of each side were entrance gates.  The platforms were lined with stone pillars.

The inner enclosure leading to the central sanctuary
The inner enclosure leading to the central sanctuary

Banteay Samre – Central Sanctuary

The temple had a single central tower with an extended mandapa in front.

Banteay Samre - Central sanctuary
Banteay Samre – Central sanctuary

There were two smaller libraries on either side of the central tower.

Banteay Samre - Library
Banteay Samre – Library

A unique feature of Banteay Samre was the presence of an interior moat with laterite paving around the central shrine. Inside the central shrine, we found a broken stone tomb with a lid on it. This may have been used as a sarcophagus.

Banteay Samre - Interior moat
Banteay Samre – Interior moat

Hindu and Buddhist depictions

Banteay Samre was dedicated to the Lord Vishnu. The lintels and pediments on the gopuras contain some well-preserved carvings of  Hindu mythological stories and Buddhist depictions.

Lord Shiva and his consort, Uma, riding on Nandi
Procession of gods on their mounts - Varuna, Vishnu, Kubera, Yama, Indra, Skanda
Procession of gods on their mounts – Varuna, Vishnu, Kubera, Yama, Indra, Skanda
A monkey fighting with an Asura who is disguised as a buffalo
A monkey fighting with an Asura who is disguised as a buffalo
The monkey army fighting Ravana's army
The monkey army fighting Ravana’s army
Depiction of the Sun and Moon Gods
Depiction of the Sun and Moon Gods
Fight between the Rama and the ten-headed Ravana
Fight between the Rama and the ten-headed Ravana
Vishnu fighting two asuras
Vishnu fighting two asuras
The battle between Ravana and Rama
The battle between Ravana and Rama
Hanuman carrying an injured Lakshmana
Hanuman carrying an injured Lakshmana

The library to the left when entering through the East gopura contained an image of the Buddha that had been destroyed. The images of the Buddha were destroyed, probably around mid 13thcentury, when Jayavarman VIII, who was a Shaivite, came to power.

We exited the temple and walked towards the eastern entrance. There was a 200 meter long paved laterite walkway lined with Naga balustrades. Right in front of the eastern gate was a terrace with steps and guardian lion statues.

Guardian lions and Naga balustrades
Guardian lions and Naga balustrades

We couldn’t find any Apsara bas-reliefs on any of the walls or pediments. Apsaras represent an important motif in the stone bas-reliefs of the Angkorian temples. Wonder why?

Our next destination was East Mebon, a huge mountain temple located in the midst of an artificial reservoir – East Baray.

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